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Now that September is here and school is back in session, a writer’s thoughts turn to the eternal question: Is an MFA worth it? Ever since the publication of the Chad Harbach-edited anthology MFA vs.
NYC: The Two Cultures of American Fiction earlier in the year, the perennial neurosis about whether or not an advanced degree in writing is worth it has become a progressively louder conversation. Gary Shteyngart: Author of this year’s memoir Little Failure and several novels, including Super Sad True Love Story. Which is why he is a promiscuous blurb writer and has a tendency to pop up in some James Franco joints.
Does he think you should get an MFA? What is your advice for young writers? You have to get an MFA.